SALE NUMBER 1818 
ON PUBLIC EXHIBITION FROM MONDAY, MARCH THIRD 


PAINTINGS 


FROM THE COLLECTIONS OF 


MRS. LOUISE E. C. CLOPTON 


ATLANTIC CITY, N. J. 


THE LATE 


HENRY C. STURGES 


NEW YORK CITY 


STEPHEN KELLY 


NEW YORK CITY 


THE LATE 


GENERAL THOMAS T. MUNFORD 


LYNCHBURG, VA. 


TO BE SOLD BY AUCTION 
TUESDAY EVENING, MARCH ELEVENTH 
AT EIGHT-FIFTEEN O’CLOCK 


THE ANDERSON GALLERIES 


[MITCHELL KENNERLEY, Preswent] 
PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 


1924 


HAZY SUMMER AFTERNOON 


BY GEORGE INNESS, N. A. 
[NUMBER 50 | 


SALE NUMBER 1818 
ON PUBLIC EXHIBITION FROM MONDAY, MARCH THIRD 


PAINTINGS 


FROM THE COLLECTIONS OF 


MRS. LOUISE E. C. CLOPTON 


ATLANTIC CITY, N. J. 


THE LATE 


HENRY C. STURGES 


NEW YORK CITY 


STEPHEN KELLY 


NEW YORK CITY 


THE LATE 


GENERAL THOMAS T. MUNFORD 


LYNCHBURG, VA. 


AND OTHERS 


TO BE SOLD BY AUCTION 
TUESDAY EVENING, MARCH ELEVENTH 
AT EIGHT-FIFTEEN O’CLOCK 


THE ANDERSON GALLERIES 


[MITCHELL KENNERLEY, PRESIDENT] 
PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 


1924 


¢~ 


CONDITIONS OF SALE 


I. All bids to be per Lor as numbered in the catalogue. 


2. The highest bidder to be the buyer; in all cases of disputed bids the lot shall be resold, but the 
Auctioneer will use his judgment as to the good faith of all claims and his decision shall be final. 
He also reserves the right to reject any fractional or nominal bid which in his judgment may delay 
or injuriously affect the sale. 


3- Buyers to give their names and addresses and to make such cash payments on account as may be 
required, in default of which the lots purchased to be resold immediately. 


4. The lots to be taken away at the buyer’s expense and risk within twenty-four hours from the 
conclusion of the sale, and the remainder of the purchase money to be absolutely paid on or before 
delivery, in default of which The Anderson Galleries, Incorporated, will not be responsible if the 
lot or lots be lost, stolen, damaged, or destroyed, but they will be left at the sole risk of the 
purchaser, and subject to storage charges. 


5. To prevent inaccuracy in delivery, and inconvenience in the settlement of purchases, no lot will 
be delivered during the sale. 


6. All lots will be exposed for public exhibition in The Anderson Galleries before the date of sale, 
for examination by intending purchasers, and The Anderson Galleries, Incorporated, will not be 
responsible for the correctness of the description, authenticity, genuineness, or for any defect or 
fault in or concerning any lot, and makes no warranty whatever, but will sell each lot exactly as it 
is WITHOUT RECOURSE. But upon receiving before the date of sale, expert opinion in writing that 
any lot is not as represented, The Anderson Galleries, Incorporated, will use every effort to furnish 
proof to the contrary, and in default of such proof the lot will be sold subject to the declaration of 
the aforesaid expert, he being liable to the owner or owners thereof for damage or injury occasioned 
by such declaration. 


7. Terms Casu. Upon failure to comply with the above conditions any sum deposited as part 
payment shall be forfeited, and all such lots as remain uncleared after twenty-four hours from the 
conclusion of the sale, will be resold by either private or public sale at such time as The Anderson 
Galleries, Incorporated, shall determine, without further notice, and if any deficiency arises from 
such re-sale it shall be made good by the defaulter at this sale together with all the expenses incurred 
thereby. This condition shall be without prejudice to the right of The Anderson Galleries, Incor- 
porated, to enforce the contract with the buyer, without such re-sale. 


8. Bros. We make no charge for executing orders for our customers and use all bids competitively, 
buying at the lowest price permitted by other bids. 


g. The Anderson Galleries, Incorporated, will afford every facility for the employment of carriers 
and packers by the purchasers, but will not be responsible for any damage arising from the acts 
of such carriers and packers. 


Priced Copy of the Catalogue may be secured for Sifty cents 
for each session of the sale 


THE ANDERSON GALLERIES 


INCORPORATED 


PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 


TELEPHONE, PLAZA 9356 CATALOGUES ON REQUEST 
SALES CONDUCTED BY MR. F. A. CHAPMAN AND MR. A. N. BADE 


OO te al rn 


LIST OF 

NUMBER 
ACHENBACH, A. 68 
AMERICAN 1 oe O72 
BACON, A. C. 10 
BELLOWS, A. F. 2 
BERCHERE, N. 25 
BERNE-BELLECOUR, P. E. 18 
BEABELOCK, RA: 33, 35, 36, 44 
BOLOGNESE SCHOOL 89 
BRASCASSAT, J. R. 63 
BRESCIA, SCHOOL OF IOI 
BRISCOE, F. D. 66 
BRONZINO (SCHOOL OF) 105 
BROWN, J. A. 4 
BROWN, J. G. 3842, 51 
CACHOUD, F. C. 19 
CANALETTO (SCHOOL OF) 97 


CARAVAGGIO, M. A. (SCHOOL OF) 129 
CASILEAR, J. W. 
CHAPMAN, J. G. 
CHARLET, N. T. 93 


CLEVELEY, R. orcs TO) 58 
CONTI, T. oa 
COOPER, C. C. 9 
CORMON, F. 23 
COTES, F. 114 
DARLEY, F. 0. C. 43 
DE CHIRICO, G. 62 
DELOBBE, F. A. 30 
DEWEY, C. M. 34 
DE WIT, J. (SCHOOL OF) 133 
DIETRICH 130 
DOUGHTY, T. 14 
DOW, A. W. 4 
DUPEYRON, T. 77 
DURAND, A. B. 5, 54, 56 
DUTCH SCHOOL 7A 7o0, T2%;"120 
ENGLISH SCHOOL 100 
ETCHEVERRY, H. D. 20 
FERRARESE SCHOOL 87, 90 


FLEMISH SCHOOL 83, II5, 126, 132 


FLORENTINE SCHOOL 137 
FRENCH SCHOOL oe WA He VE if 
FRITH, W. P. 45, 49 
GAAL, B. 122 
GEBLER, F. 0. 47 
GERMAN SCHOOL 103, 104 


GRAY, H. P. 3 
GREENHILL, J. 109 


ARTISTS 


NUMBER 
GRIPS, C. J. 28 
GUILLON, A. 131 
GUY, S. J. 2, 13 
HART, J. M. 53 
HART, W. pees 
HENRY, E. L. 40 
HERRMANN-ALLGAU, A. 78 
HOBBEMA (MANNER OF) 125, 127 
-INNESS, G. 37, 39, 50 
ITALIAN 


SOQ, 331,139, 140, 141; 142 
JAPANESE 8 


JEFFERSON, J. 10 
JOHNSON, D. ya Fs 
KAUFFMANN, A. IZ E13? 
KENSETT, J. F. cere 
KLUYVER 16 
KOEKKOEK, J. H. 82 
LANCRET (MANNER OF) 127 


LAWRENCE, SIR T. (SCHOOL OF) 98 


LENOIR, C. A. 70 
LEPINE, S. V. E. 22 
LINNIG, W. 108: 
MCCORD, G. H. II 
MANS, F. 106: 
MAX, G. 46 
MEEKER, J. R. 12 
MERCIER, P. 116, 117, 118, 119 
MIGNOT, L. R. I 
MORAN, E. 12 
MURPHY, J. F. 52 
MYTENS, D. III 
NATTIER (MANNER OF) 85 
NETTLETON, W. 8 
PANINI (SCHOOL OF) 136 
PARMIGIANINO (MANNER OF) 138 


PETERSON, J. 9 


PORTIELJE, G. F. 64 
POTTER, P. (AFTER) 120, 123, 124 
RICCI (SCHOOL OF) 79 
RICHARDS, W. T. 69 
RICHET, L. 15 
ROCHEGROSSE, G. 17, 24 
ROESTRAETEN, P. 99 
RONDEL, H. oF 
ROSA, S. (MANNER OF) Vf 
ROSELAND, H. 4I 
RYCKAERT, D. SI 


SCHREYVOGEL, C. 67 
SCHROEDER, A. 48 
SHATTUCK, A. D. 13 
SHAYER, W. 94. 
SMITH, H. P. 31 
STEVENS, A. 29 
STOTHARD, T. 76 
STYKA, T. 26 
SULLY, T. 55, 57 
TENIERS, D. 107 
TENIERS (MANNER OF) 128 
THOMPSON, C. P. 4 


TIEPOLO, G. B. 
TIEPOLO, G. D. 
TROUILLEBERT, P. D. 
VACCARO 

VAN BREE, F. 

VAN DER NEER, E. H. 
VAN LEEMPUTTEN, C. 
VENETIAN SCHOOL 
WALDO AND JEWETT 
WEBER, A. 

ZIEM, F. 

ZOFFANY, J. 


NUMBER 
I02 


SALE TUESDAY EVENING, MARCH ELEVENTH, 


NUMBERS 1-142 


LOUIS R. MIGNOT, N.A. 


AMERICAN, _ -1870 


I a. REGION OF THE ANDES 
Canvas. Size, 7 x 14 inches. 


H. FLOCKENHAUS 


GERMAN, 19TH CENTURY 


b. SUNSET LANDSCAPE 
Panel. Signed. Size, 14 x 11 inches. 


WILLIAM HART, N.A. 
AMERICAN, 1823-1904 


c. AUTUMN LANDSCAPE 
Panel. Signed. Circular, 4 inches in diameter. 


AMERICAN 
19TH CENTURY 


d. MOUNTAIN LANDSCAPE 
Canvas. Size, 12x Io inches. (4) 
(The late Henry C. Sturges Collection) 


A. F. BELLOWS, N. A. 
AMERICAN, — -1883 


2 a. LANDSCAPE 
Canvas. Signed. Size, 6 x 9% mches. 


SEYMOUR JOSEPH GUY, N.A. 


AMERICAN, 1824-1910 


b. NEAR THE SEA, WITH FIGURES 
Canvas. Signed. Size, 15 x 22 inches.” 


1 


AT 


8:15 


&X 


aN 


AMERICAN 
19TH CENTURY 


c. COUNTRY ROAD WITH SHEEP 
Water color. Sige, 17 x 15 inches. (3) 
(The late Henry C. Sturges Collection) 


HENRY PETERS GRAY, P.N.A. 
AMERICAN, 1819-1877 


a. STUDY, MERCY’S DREAM 
Canvas. Size, 8 x 6 inches. 


JOHN F. KENSETT, N.A. 


AMERICAN, 1818-1872 


b. AUTUMN TWILIGHT 
Canvas. Signed and dated 1872. Size, 16 x 14 inches. 


WILLIAM HART, N.A. 


AMERICAN, 1823-1904 


c. SEASIDE SUNSET 
Canvas. Signed. Sige, § x 13 inches. (3) 
(The late Henry C. Sturges Collection) 


ARTHUR W. DOW 


CONTEMPORARY AMERICAN 


a. COUNTRY SCENE 

Expanse of grass in the foreground with cottages and trees in 
the middle ground; creamy and pale green sky. 

Canvas. Signed. Size, 14 x 26 inches. 


J. APPLETON BROWN 


CONTEMPORARY AMERICAN 


b. AUTUMN LANDSCAPE 
Canvas. Signed. Size, 16 x 20 inches. 


CELIA P. THOMPSON 
CONTEMPORARY AMERICAN 


c. SUBURBAN SCENE WITH CHURCH 
Canvas. Signed. Size, 22x 18 inches. (3) 


2 


AMERICAN 


19TH CENTURY 


5 a. PORTRAIT OF A MAN 
Bust to the front, with full dark brown hair and beard; com- 
plementary background. 
Canvas. Height, 25 inches; width, 19 imches. 


ASHER BROWN DURAND, N.A. 


AMERICAN, 1796-1886 


b. PORTRAIT OF A NOTABLE 
Inscribed on back, “After Titian in the Colonna Palace, Rome, 


Jan. 7, 41.’ 
Canvas. Height, 29 inches; width, 25 inches. (2) 
(The late Henry C. Sturges Collection) 


AMERICAN SCHOOL 
ABOUT 1840 


a. PAIR OF PORTRAITS, A LADY AND GENTLEMAN 
Canvas on panel. Height of each, 29 inches; width, 24 inches. 


OV 


AMERICAN SCHOOL 
ABOUT 1860 


b. PORTRAIT OF A BOY WITH A DOG 
Canvas. Height, 22 inches; width, 18¥% imches. (3) 


JOHN F. KENSETT, N.A. 
AMERICAN, 1818-1872 


7 a. MOUNTAINOUS COUNTRY WITH INDIANS 
Canvas. Size, 9 x 12 inches. 
Formerly in the W. W. Olyphant Collection. 


JOHN W. CASILEAR, N.A. 
AMERICAN, 1811-1893 


b. THE BROOK 
Academy board. Stamp of the Casilear Sale, 1897, on the back. 
Size, II x 10 inches. 


3 


DAVID JOHNSON, N.A. 
AMERICAN, 1827-1908 


c. STUDY, FRANCONIA 

Canvas. Signed and dated 1871 at the lower left. Size, 12 x 10 
inches. (3) 

(The late Henry C. Sturges Collection) 


WALTER NETTLETON, A.N.A. 
CONTEMPORARY AMERICAN 


8 a. WINTER MOONLIGHT 
Bank of snow in the foreground, wooded grove at middle ground, 
hill in the distance; the moon at full in a grey-blue sky. 
Canvas. Height, 20 inches; width, 23 inches. 


JAPANESE 
CONTEMPORARY 
b. LANDSCAPE 
Swamp scene with a stork in the foreground. 


Silk. Monotone, heightened with white. Signed at the right. 
Height, 19 inches; width, 25 inches. (2) 


COLIN CAMPBELL COOPER, N.A. 


CONTEMPORARY AMERICAN 


9 a. FOREST PATH 
Fine tree growths at right and left, glimpse of blue sky. : 
Gouache. Signed at the lower left. Height, 19 inches; width, 13 
inches. 


JANE PETERSON 


CONTEMPORARY AMERICAN 


b. DOCK SCENE 

A trawler with a number of dories, in one of which a fisherman 4 
is seen in the foreground ; town in the distance; blue-grey sky. f 
Gouache. Signed at the lower right. Height, 24 inches; width, —_ 
I8 inches. (2) . 


4 


JOSEPH JEFFERSON 


AMERICAN, 1829-1905 


Io a. FOREST GLADE 


II 


I2 


Rich brown grasses and shrubbery in the foreground, with trees 
rising to the top of the composition; silvery-grey sky. 

Canvas. Signed and inscribed “to Henry P. Many from his 
friend” at the lower left. Height, 21 inches; width, 15 inches. 


A. C. BACON 
CONTEMPORARY AMERICAN 


b. LANDSCAPE 

Undulating country with fruit trees nicely grouped about a sloping 
meadow, a small rivulet at the middle distance, deep blue hill at 
the horizon, with a slaty sky. 

Academy board. Signed at the lower right. Height, 18 inches; 
width, 22 inches. (2) 


DAVID JOHNSON, N.A. 
AMERICAN, 1827-1908 


a CLIrr STUDY 

Slaty formation in fine coloring athwart a pale blue sky, with 
slight cloud effects. 

Academy board. Signed with monogram at the lower right. 
Height, 12 inches; width, 10 inches. 


GEORGE H. McCORD, A.N.A. 


AMERICAN, 1840-1909 


Pe cOAST SCENE 

Rugged plot with bushes, rocks and several figures bordering the 
blue sea, with sails at the left and distance; pale emerald sky, 
creamy and grey cloud effect. 

Canvas. Signed at the lower right. Height, 14 inches; wnrdth, 
10 inches. (2) 


J. R. MEEKER 


ENGLISH, 19TH CENTURY 


a. SWISS SCENE AT SUNSET 

A lake surrounded by wooded mountains with chalets and cottages 
at the left shore, effective orange-tinted sky merging into grey 
at the left. 

Canvas. Signed and dated 1876 at the lower left. Height, 20 
inches; width, 36 inches. 


5 


13 


14 


EDWARD MORAN, N.A. 
AMERICAN, 1829-1901 


b. NEW YORK HARBOR 
A schooner heavily laden is seen in the foreground, Governor’s 


‘Island looms up at the left; other craft in the offing; grey sky 


with a touch of blue. 
Canvas. Signed with monogram at the lower left. Height, 12 
inches; width, 10 inches. (2) 


SEYMOUR J. GUY, N.A. 
AMERICAN, 1824-1910 


a. BREAKFAST FOR THE CHICKENS 

A little girl in bright red skirt has paused while dressing to go 
out on the steps at the back of the kitchen to feed her pet black 
hen and her chicks. 

Canvas. Signed and dated 1878 at the lower right. Height, 20 
inches; width, 15 inches. | 


AARON D. SHATTUCK, N.A. 
CONTEMPORARY AMERICAN 


b. SHEEP 

Grouped in rich green and brown foreground, with tree groups 
and shrubbery at the left, blue sky with slight cloud effect. 
Panel. Signed and dated 1874 at the lower left. Height, 9 
inches; width, 14 mches. (2) 


JOHN W. CASILEAR, N.A. 
AMERICAN, 1811-1893 


a. UP THE HUDSON 
A brook in the foreground, trees in luxuriant foliage on its banks, — 
with a vista of the river dotted with sails; hilly banks. 
Panel. Height, 17 inches; width, 13 inches. 


THOMAS DOUGHTY 
AMERICAN, 1793-1856 


b. LANDSCAPE 

A fine beech rises from a group of trees at the left; canebrake 
and tall grasses border a lake at the right, over which a couple 
of ducks are flying; a hill at the distance, with indications of 
habitations; grey and creamy sky with breaks of blue. 

Canvas. Signed at the lower left. Height, 12 inches; width, 16 
inches. (2) 


6 


15 


16 


FELIX ZIEM 
FRENCH, 1821-1911 


a. VENETIAN SCENE 

An odd vessel with sails unfurled greets the beholder; silhouette 
of Venice at the right distance, blue hill at the left; a lonely figure 
on the shore in the foreground; blue sky with cloud effects. 
Canvas. Signed at the lower right. Height, 17 mches; width, 
26 inches. 


LEON RICHET 
FRENCH, 1847-1907 


b. NORMANDY LANDSCAPE 

A thatched house and barn and tree group are at the left near 
a road where an old woman is seen; the blue sea farther back 
with several sails; pale grey cloud effects in blue sky. 

Canvas. Signed at the lower left. Height, 12 inches; width, 21 
inches. 


VACCARO 


ITALIAN, 19TH CENTURY 


a. THE ITINERANT COBBLER 

Seated on a basket he is discussing the price of a job with a 
pretty young woman standing at the right; old archway at the 
back, hens about. 

Canvas. Signed at the lower left. Height, 19 inches; width, 15 
inches. 


KLUYVER 
GERMAN, 19TH CENTURY 


b. WINTER LANDSCAPE 

Hilly foreground with gnarled trees, a brook at the right, a cottage 
and ruins in the distance, with figures about; pale grey sky with 
slight cloud effect, animated by birds. 

Canvas. Signed at the lower left. Height, 24 inches; width, 19 
inches. (2) 


tf 


GEORGES ROCHEGROSSE 


CONTEMPORARY FRENCH 


17 THE SNAKE CHARMER 


18 


19 


20 


Beside her marble bathing pool a nude young woman is encircled 
by her pet snake, which approaches its head to her lips to receive 
her caresses. 

Water color. Signed at the lower right. Height, 15 inches; 
width, II inches. 


PROSPER ETIENNE BERNE-BELLECOUR 
FRENCH, 1838-1910 


A CAVALRYMAN | 
Mounted on a white steed, he has halted to arrange his helmet; 
wooded scene, grey and cloudy sky. 

Cradled panel. Signed and dated 1907 at the lower right. Height, 
I5 inches; width, ro inches. 

(Mrs. Louise E. C. Clopton Collection) 


FRANCOIS CHARLES CACHOUD 


CONTEMPORARY FRENCH 


MOONLIGHT SCENE 

View of old houses at Guignet, Savoie, France. 

Canvas. Signed and dated 1907 at the lower right. Height, 18 
inches; width, 24 inches. 

(Mrs. Louise E. C. Clopton Collection) 


HUBERT DENIS ETCHEVERRY 
CONTEMPORARY FRENCH 


LE VERTIGE 

A lady in pearl-grey evening gown having sought a respite from 
dancing is sitting back on a settee when a gentleman approaches 
from the back, leans forward and imprints a kiss on her lips, meet- 
ing with no resistance; glimpse of ball room and dancing couples 
seen at the right. 

Canvas. Signed at the lower right. Height, 16% inches; width, 
22 inches. 

The most popular painting of its day, of which this is the smaller 
replica. 

(Mrs. Louse E. C. Clopton Collection) 


8 


21 


22 


23 


CORNEILLE VAN LEEMPUTTEN 
CONTEMPORARY BELGIAN 


SHEEP IN FOLD . 

One standing and several lying about, while chickens are equally 
at home pecking for food among the straw bedding. 

Panel. Signed at the lower left. Inscription of authenticity on 
the back. Height, 15 inches; width, 20% inches. 

(Mrs. Louise E. C. Clopton Collection) 


STANISLAS VICTOR EDOUARD LEPINE 


FRENCH, 1836-1872 
CANAL SCENE 


A man and two horses are coming toward the left on the road 
beside the waterway, which at the back leads over a bridge, a 
punt is in the foreground and a barge in the distance; hilly coun- 
try with groves and houses; emerald-blue sky with slight cloud 
effects. 

Canvas. Height, 18 inches; width, 32 inches. 


FERNAND CORMON 
CONTEMPORARY FRENCH 


Pettie SBEIWEKEN THE CRUSADERS AND. THE 
SARACENS 

Fierce combat in the foreground, while clouds of dust from the 
mélée make an effective middleground; above, a heavy leaden 
sky seems to share the fury of the battling hosts. 

Canvas. Signed and dated 1917 at the lower left. Height, 21 
inches; width, 21% inches. 


GEORGES ROCHEGROSSE 


CONTEMPORARY FRENCH 


24 AN INTERESTING AUDIENCE 


In an Egyptian court a pretty maiden is playing on a mandolin 
while a cat and her kittens are grouped about as if listening at- 
tentively ; sumptuous architectural surroundings. 

Canvas. Signed at the lower right. Height, 24 inches; width, 20 
inches. 


9 


25 


27 


28 


NARCISSE BERCHERE 
FRENCH, 1819-1891 


MOSQUE AT BAELBEK 

Some ruins at the left where a number of Arabs have congregated, 
while a minaret and dome catch the orange rays of the sun in a 
blue sky with slight cloud effects ; laden donkeys and attendants in 
the foreground. . 

Canvas. Signed at the lower left. Height, 24 inches; width, 19 
imches. 


TADE STYKA 


CONTEMPORARY FRENCH 


IDEAL HEAD 

Bust, head to the front, shoulders slightly to the left, of a flaxen 
blond young woman, her hair descending to her shoulders, a gold 
ornamented tulle draped about her bust; complementary back- 
ground. 

Panel. Signed and dated 1908 at the lower left. Height, 21% 
inches; width, 18% inches. 

(Mrs. Louise E. C. Clopton Collection) 


HENRI RONDEL 
CONTEMPORARY FRENCH 


IDEAL HEAD 

Bust, shoulders to the front, head slightly to the right, of a pretty 
Titian-haired young woman, displaying an opulent bosom; blue 
and red drapery with an undergarment of fine white linen; com- 
plementary background. 

Canvas. Signed at the lower right. Height, 23 inches; width, 19 
inches. 


C. J. GRIPS 
BELGIAN, 19TH CENTURY 


INTERIOR WITH FIGURE \ 
In the foreground at the left an arrangement of victuals, copper 
vessels and Delft ginger jar, while the young mistress is seen 
through the door at the right in the room beyond, pausing at her 
sewing to look at the kitten, which may have designs on some of 
the food. 


Panel. Signed and dated 1872 at the lower right. Certified by 


the artist on the back. Height, 17 inches; width, 13 inches. 
(The late Henry C. Sturges Collection) 


10 


29 


30 


31 


32 


ALFRED STEVENS 
BELGIAN, 1828-1906 


Se OTING THE CLOCK 

A pretty, blond young woman in rose-crimson house gown, low 
at the neck, looks at the watch she holds in her hand as she stands 
near the mantel whereon a beautiful clock is seen; sumptuous in- 
terior. 

Panel. Signed at the lower left. Height, 15 inches; width, Io 
inches. 


FRANCOIS ALFRED DELOBBE 
CONTEMPORARY FRENCH 


TIME FOR BREAKFAST 

A pretty dark-eyed child with luxuriant black hair, in white night- 
dress is seated on a blue cushion and holds a kitten while the 
mother cat looks on at the left; blue cup and saucer on a table, 
and old-gold background. 

Canvas. Signed and dated 1877 at the upper right. Height, 22% 
inches; width, 18 inches. 


HENRY PEMBER SMITH 
AMERICAN, 1854-1907 


NEW ENGLAND LANDSCAPE 

A limpid lake with lily pads bordered by velvety green banks, a 
cozy cottage peeping forth from among a wooded slope at the 
left, glimpse of a hill at the horizon; pale emerald sky with warm 
cloud effects. 

Canvas. Signed at the lower right. Height, 20 inches; width, 28 
inches. 

(The late Henry C. Sturges Collection) 


JOHN F. KENSETT, N.A. 
AMERICAN, 1818-1872 


EAGLE ROCK, MANCHESTER, MASS. 

The green sea is rolling in on a brown beach where figures are 
seen, a bare cliff is at the middle distance on the left; grey sky 
with creamy cloud effect. 

Canvas. Signed with initials and dated 1859 at the lower right. 
Height, 14 inches; width, 24 inches. 

(The late Henry C. Sturges Collection) 


a1 


RALPH ALBERT BLAKELOCK, N.A. 


AMERICAN, 1847-1919 


33 OCTOBER MORN 


Clearing of rich brown grasses in the foreground with a pool at 
the left, fine tree groups at the right, vista of lakes at the middle 
distance to hill at the horizon; orange sky streaked with pale 
emerald-green. 

Panel. Signed at the lower right. Height, 10 inches; width, 14 
inches. 


CHARLES MELVILLE DEWEY, N.A. 


CONTEMPORARY AMERICAN 


34 AUTUMN LANDSCAPE 


35 


Foreground of brown stubble and grasses, with a small pool at 
the right, tree group at the left middle ground in sparse foliage; 
pale emerald sky with cumulus cloud effects. 
Canvas. Signed at the lower right. Height, 16 inches; width, 
24 inches. | 


RALPH ALBERT BLAKELOCK, N.A. 
AMERICAN, 1847-1919 


SUNSET SPLENDOR 

A clearing with a stream at the left of the foreground; a lonely 
tree rises at the middle ground spreading its lace-like foliage in 
nice design over a deep orange sky, with streaks of lemon tints 
at the horizon; tree groves in the distance, with a dark hill at the 
horizon. 

Panel. Signed at the lower right. Height, 12 inches; width, 16% 
inches. 


RALPH ALBERT BLAKELOCK, N.A. 


AMERICAN, 1847-1919 


36 INDIAN SUMMER SUNSET 


Misty atmosphere over a lake, with an. Indian in a canoe at the 
right and another red man sitting on a rock in the foreground; a 
neck of land at the middle distance, with clumps of trees in nice 
composition, hill at the horizon; luminous golden sky with cloud 
effects. 

Panel. Signed at the lower right. Height, 6 inches; width, 10% 
inches. 


12 


37 


38 


39 


40 


ATTRIBUTED TO GEORGE INNESS, N.A. 
AMERICAN, 1825-1894 


LANDSCAPE WITH COWS 

A meadow with three cows in the foreground and two figures 
farther back; thick foliage at the middle distance, with a vista of 
meadow and cottages at the left; pale emerald sky with slight 
cloud effect. 

Canvas. Signed at the lower right. Height, 14 inches; width, 
II inches. 


J. G. BROWN, N.A. 
AMERICAN, 1831-1913 


A SHADY SPOT 

A brown-haired Miss in white with a pink sash has found a com- 
fortable seat in the fork of a tree and looks quite contentedly at 
the spectator; glimpse of sky through the foliage. 

Canvas. Signed and dated 1876 at the lower right. Height, 20 
inches; width, 13 inches. 


GEORGE INNESS, N.A. 


AMERICAN, 1825-1894 


AUTUMN LANDSCAPE 

A tree in orange-tinted foliage in a foreground of patches of green 
and brown shrubbery where a cow is ruminating, stone fence 
farther back, misty distance; grey sky with a rift of blue. 

Canvas. Signed at the lower left. Height, 14 inches; width, 20 
inches. 


EDWARD LAWSON HENRY, N.A. 
AMERICAN, 1841-1919 


THE OLD CHURCH 

Amid meadows and fields of flowers on rising ground stands a fine 
Colonial place of worship, its tower commanding a wide expanse 
of country; figures in the foreground and in the road at the right, 
on the opposite side a cottage is seen among the trees; blue sky 
with creamy cumulus clouds. 

Canvas. Signed and dated 1878 at the lower left. Height, 18 
inches; width, 29 inches. 


13 


41 


42 


43 


HARRY ROSELAND 
CONTEMPORARY AMERICAN 


THE LOVE DROPS 

A coffee-colored mammy is seated at the left decanting from a 
small phial into a glass flask with great attention, which pro- 
cedure is duly followed with equal concentration by a pretty blond 
young woman seated at the right; simple interior. 

Canvas. Signed and dated 1900 at the lower right. Height, 22 
inches; width, 27 inches. 

(Estate of the late Stephen Kelly) 


J. G. BROWN, N.A. 
AMERICAN, 1831-1913 


DISTANT THOUGHTS 

A dark-haired lady sits on a cushion beside an open window, her 
writing pad on her knee, and appears to be in deep thought; a 
meadow, stone fence and trees with a glimpse of sky through 
the window. 

Canvas. Signed and dated 1872 at the lower left. Height, 21 
inches; width, 24 inches. 


FELIX O. C. DARLEY, N.A. 
AMERICAN, 1822-1888 


MINNEHAHA 

The pretty Indian maiden stands beside a stream, admiring a neck- 
lace with which she is about to adorn herself; hilly background, 
pale creamy sky. 

Panel. Height, 10% inches; width, 8 inches. 


RALPH ALBERT BLAKELOCK, N.A. 


AMERICAN, 1847-1919 


44 HAUNT OF THE RED MAN 


Rich and colorful foreground with a brook; under the shadow 
of mighty trees beyond, a wigwam rises with several Indians 
close by; tree groups at the left with a vista toward the horizon, 
crowned by a sky of burnished gold merging into deep emerald and 
grey-brown at the top. 

Panel. Signed at the lower left. Height, ro inches; width, 12 
inches. 


14 


45 


46 


47 


48 


WILLIAM POWELL FRITH, R.A. 


ENGLISH, 1819-1909 


THE NEW MODEL 

An artist is seated at his easel, reading a note the pretty young 
woman facing the spectator at the left has delivered; fine interior 
with studio effects. | 

Canvas. Signed at the lower right. Height, 35 wmches; width, 
25 inches. 

(Mrs. Louise E. C. Clopton Collection) 


GABRIEL MAX 
CONTEMPORARY AUSTRIAN 


IDYLL AND REALITY 

A pretty blond siren with orange blossoms in her hair, her opulent 
figure in clinging pink drapery, is touching the cords of her harp 
as she ventures a side glance toward the pale, poorly clad, dark- 
eyed girl at the left, who has a monkey furtively clinging to her 
breast as she carries a hamper. Classical landscape with festoon 
of roses overhead. 

Canvas. Signed and dated 1902 at the bottom of the harp. 
Height, 33 inches; width, 26 inches. 

(Estate of the late Stephen Kelly) 


FRIEDRICH OTTO GEBLER 
GERMAN, 1838-1896 


The END OF THE CHASE 
A couple of setters and a badger dog are complacently regarding 
a dead fox as he lies sidewise in the snow; crows at the right dis- 


tance, grey sky with cloud effects and streaks of pale gold at the 


lower left. 
Canvas. Height, 30 inches; width, 40 inches. 
(Estate of the late Stephen Kelly) 


A. SCHROEDER 
GERMAN, 19TH CENTURY 


THE GAME OF CHECKERS 

Three men are grouped about a table in a fine interior closely 
absorbed in the course of the game; the remains of a lunch and 
drinking vessels are about, and the rich grey tones of the whole 
are broken by a touch of sunlight at the right distance. 

Panel. Signed at the upper right. Height, 22 inches; width, 30 
inches. 

(Estate of the late Stephen Kelly) 


15 


WILLIAM POWELL FRITH, R.A. 


ENGLISH, 1819-1909 


49 THE DEPARTURE 


50 


5 


Ln | 


In a large vestibule there is seen a gathering of women and 
children in mid-Victorian costume, assembled to bid good-bye to 
several of those present, whose luggage in charge of a maid at 
a door at the right is being transferred to a post chaise by a 
porter; some of the children are clinging to their dolls, while a 
couple of spaniels enliven the scene. 

Canvas. Signed and dated 1866 at the lower right. Height, 4o 
inches; width, 65 mches. 


GEORGE INNESS, N.A. 
AMERICAN, 1825-1894 


HAZY SUMMER AFTERNOON 
A velvety green meadow spreads out toward a silvery stream 
winding its way at the right middle distance, a path is at the left, 
where a herder and some cows are seen, beyond which a group 
of trees dominated by a large elm give character to the composi- 
tion; a glimpse of cottages and a mellow field of grain are the 
dominant note in the left distance; grey-blue sky with slight cloud 
indications. 
Canvas. Signed at the lower left. Height, 15% inches; width, 
26 inches. 
The following certificate accompanies this picture: “This photo- 
graph is from a painting which I have examined and find genuine 
—a work by George Inness probably done in the late ’6os. 
(signed) Elliott Daingerfield.” 
(Estate of the late D. J. Carter) 


[SEE FRONTISPIECE] 


J. G. BROWN, N.A. 
AMERICAN, 1831-1913 


BUSINESS IS SLOW 

An urchin in battered wear, his red shirt open at the throat, stands 
near a stone wall with his bundle of newspapers under his arm as 
he counts the money in his left hand. 

Canvas. Signed and dated 1866 at the upper left. Height, 17 
inches; width, 10% inches. : 


16 


a a 


| 52 


Je a ee a es ee ee 


: 53 


54 


55 


J. FRANCIS MURPHY, N.A. 


AMERICAN, 1853-1920 


SEPTEMBER MORNING 

Rising ground at the right, with a group of fine trees; vista of flat 
country at the left, broken by chains of reddish-brown hills in 
the distance; blue mountain at the horizon, crowned with a sky 
of silvery and creamy cloud effects. 

Canvas. Signed and dated 1883 at the lower right. Height, 9 
inches; width, 15 inches. 


JAMES MACDOUGALL HART, N.A. 


AMERICAN, 1828-1901 


PEACEFUL COUNTRYSIDE 

A wide stream with cows near the bank in the foreground, a boat 
at the left, thickly wooded grove on the opposite shore with 
glimpse of cattle; hilly distance, blue sky with rolling grey cloud 
effects. 

Canvas. Signed at the lower right. Height, 18 inches; width, 
30 inches. 


ASHER BROWN DURAND, N.A. 


AMERICAN, 1796-1886 


PEACEFUL COUNTRYSIDE | 
A brook in the foreground with fine tree groups on the opposite 
bank, cows grazing in the meadow beyond, hilly distance; blue sky 
with creamy cloud effects. 

Canvas. Signed with initials and dated illegibly at the lower 
right. Height, 24 inches; width, 36 inches. 

(The late Henry C. Sturges Collection) 


THOMAS SULLY 


AMERICAN, 1783-1872 


STORY OF A BATTLE 

A soldier, his right arm in a sling, has approached a fence on the 
other side of which an elderly man and a young woman are seen 
with fearful countenances as they listen to the details; cottage 
farther back, open landscape at the right, grey and creamy sky. 
Canvas. Inscribed on the back, “Copied by Sully after F. O. 
Darley in 1863.’ Height, 20 inches; width, 24 inches. 


17 


56 


57 


58 


32 


ASHER BROWN DURAND, N.A. 
AMERICAN, 1796-1886 


CATSKILL MOUNTAINS FROM SHANDAKEN 

A clearing in the foreground with gnarled tree branch and 
wooded group at the right, grey mountains at the left distance; 
cloudy sky. 

Canvas. Signed with initials at the lower left. Height, 17 inches; 
width, 24 inches. 

(The late Henry C. Sturges Collection) 


THOMAS SULLY 
AMERICAN, 1783-1872 


PORTRAIT SKETCH 
A lady in dark velvet bodice and creamy silk skirt is seated on 
a terrace, her mandolin at her side; park background. 

Academy board. Signed with monogram at the lower left. 
Height, 734 inches ; width, 6 inches. 


ATTRIBUTED TO ROBERT CLEVELEY 
ENGLISH, (?) -1809 


AN ENGAGEMENT BETWEEN THE FRENCH AND 
ENGLISH DURING THE AMERICAN REVOLUTION 
Two huge battleships, both of which are partly in flames, are 
pouring broadsides into each other while the French on the right 
are preparing to board their adversary; another engagement is in 
progress at the left distance, the blue and pink clouded sky partly 
obscured by the volume of smoke from the ships. 

Canvas. Height, 35 mches; width, 45 inches. 


SAMUEL LOVETT WALDO, A.N.A. 


AMERICAN, 1783-1861 


WILLIAM JEWETT, A.N.A. 


AMERICAN, 1795-1863 (?) 


PORTRAIT OF MISS HARRIET WHITE 

Full-length, standing presentment of a dark-eyed, smiling child 
facing the spectator, with light chestnut curls; attired in the in- 
teresting garb of the period, white dress, puffed half sleeves with 
a black lace-edged bodice. She holds a ‘bunch of flowers in each 
hand. Landscape background. 

Panel. Height, 4834 inches; width, 35% inches. 

Miss White was born in 1831. This portrait, painted about 1836, 
has been in possession of the family until recently. 


18 


60 


61 


p 
4 
2 
3 
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62 


PAUL DESIRE TROUILLEBERT 
FRENCH, 1829-1900 


SILVERY DAWN 

Sloping ground at the left toward a stream with tree groups near- 
by, two cows are seen near the edge of the water and a woman 
is close by; two punts on the shore of the bank at the right, sil- 
houette of a town in the distance, grey sky with creamy cloud 
effects. 

Canvas. Signed at the lower left. Height, 26 inches; width, 32 
inches. 

(Mrs. Louise E. C. Clopton Collection) 


ALFRED WEBER 


CONTEMPORARY FRENCH 


THE CARDINAL’S PASTIME 

His Eminence in rich scarlet robes is seated holding a violin under 
his chin as he beats time with the bow; the tea table with the silver 
service also does duty as a music stand, while a gentleman in 
black garb plays the flute accompaniment ; sumptuous interior. 
Cradled panel. Signed at the lower left. Height, 26 inches; width, 
2I inches. 

Inscribed on back: “Marie Antoinette room in Fontainebleau, 
painted for Wm. C. Clopton, Paris, 1907.” 


(Mrs. Louise E. C. Clopton Collection) 


G. DE CHIRICO 
ITALIAN, 19TH CENTURY 


THE DIPLOMA 
The son of humble parents returns after completing his studies 
and proudly displays his sheepskin, to the great delight of all the 
family. The contrast in the garb of the young man and the peas- 
ants is well rendered and the story graphically depicted. 

Panel. Signed at the lower left. Height, 24 inches; width, 29 
inches. 


JACQUES RAYMOND BRASCASSAT 
FRENCH, 1805-1867 


LANDSCAPE WITH CATTLE 

Undulating countryside dominated by a fine oak at the middle 
ground under which a shepherd is seen, a lake at the left distance, 
cows moving about, hilly distance; creamy sky with touches of 
blue. 

Canvas. Signed and dated 1833 at the lower left centre. Height, 
22 inches; width, 29 inches. 

(Mrs. Louise E. C. Clopton Collection) 


19 


GERARD FRANCOIS PORTIELJE 


BELGIAN, 1818-1895 


64 QUARTERING THE TROOPER 


65 


66 


A pretty maid is handing her master, who is seated at luncheon, 
a note which the dragoon standing at the left has delivered, ob- 
viously asking for lodging for the applicant; rich interior with a 
dog who regards the newcomer as an intruder. 

Canvas. Signed at the lower left. Height, 22 inches; width, 28% 
inches. 

(Estate of the late Stephen Kelly) 


PAUL DESIRE TROUILLEBERT 


FRENCH, 1829-1900 


SUMMER IDYLL 

Lofty tree groups at the right of the rich green meadow in the 
foreground, animated by a woman and her cow, lake at the left 
middle ground, and a church spire looming up in the distance; 
grey sky with luminous effect near the horizon. 

Canvas. Signed at the lower right. Height, 26 inches; width, 32 
inches. 

(Mrs. Louse E. C. Clopton Collection) 


FRANKLIN D. BRISCOE 
CONTEMPORARY AMERICAN 
BREEZY DAY OFF DIEPPE 
The old seaport at the left with its quaint houses, various craft 
and a rowboat animate the blue-green water; sky of fleeting grey 
and creamy clouds, with touches of blue. 


Canvas. Signed at the lower right. Height, 30 inches; width, 50 
inches. | 


CHARLES SCHREYVOGEL, A.N.A.° 


AMERICAN, (7?) -1912 


67 SKIRMISH WITH INDIANS 


A couple of American army scouts are dashing by on the desert 
and exchanging shots with a band of Indians in pursuit; pale 
emerald sky. 

Canvas. Signed at the lower right; copyright 1905 at the lower 
left. Height, 16 inches; width, 20 inches. 


20 


ANDREAS ACHENBACH 
GERMAN, 1815-1910 


68 SWISS MOONLIGHT SCENE 

High cliffs at the right, where a chalet from which the light gleams 
is seen; a mountain stream glistening in the moonlight descends in 
a cascade over the rocky foreground; glimpse of a snow-covered 
mountain peak in the grey sky, with the silvery disc of the moon 
at the middle right. 

Canvas. Signed at the lower right. Height, 48 inches; width, 34 
inches. 


WILLIAM TROST RICHARDS, N.A. 


AMERICAN, 1833-1905 


69 MARINE 
The bluish-grey sea is rolling in toward the spectator in beautifully 
crested waves, ships are seen far off near the horizon; grey sky 
with flaky cloud effect, animated by birds. 
ea Signed at the lower left. Height, 30 inches; width, 50 
inches. 


C. A. LENOIR 
CONTEMPORARY FRENCH 


70 SOLITUDE 
A pretty dark-complexioned maiden in loose fitting white drapery 
is seated on a stone bench, her left arm resting on a Pompeian 
urn, her right elbow on her left knee, and looks at the spectator as 
she holds a red rose; park background. 
Canvas. Signed at the lower right. Height, 58 inches; width, 38 
inches. 
(Estate of the late Stephen Kelly) 


PAUL DESIRE TROUILLEBERT 
FRENCH, 1829-1900 


71 CLOSE OF DAY, LAKE NANTUA 
Grassy slope at the left with fine tree groups, where a woman 
and a cow are seen, charming silhouette of the town reflected in 
the limpid lake in the distance; blue sky changing to orange at 
the horizon. 
Canvas. Signed at the lower left. Height, 53 inches; width, 39 
inches. 
Trouillebert’s works are highly esteemed in France and this paint- 
ing is reputed to have been desired for the Louvre Museum in 
Paris. 
(Mrs. Loutse E. C. Clopton Collection) 


21 


MANNER OF SALVATOR ROSA 


72 a. DECORATIVE LANDSCAPE 
Canvas on panel. Size, 23% x 28% inches. 


AMERICAN 
18TH CENTURY 


b. TWO OLD CRONIES 
Canvas. Sige, 30 x 25 inches. (2) 


FRENCH MANNER 


18TH CENTURY 


73 AFTERNOON TEA 
While the maid serves the beverage, the gentleman reads and the 
lady at the right pets her dog. 
Panel. Height, 11% mches; width, 9 inches. 


DUTCH 
17TH CENTURY 


74 BOERS AT HOME i 
A mother with her babe on her knee is at the right, a dog on 
his hind legs begging to accompany the urchin who is going out to 
roll his hoop, men in the background; quaint interior, with bits 
of still life about. 
Panel. Height, 11 inches; width, 9 inches. 


TITO CONTI 


ITALIAN, 19TH CENTURY 


75 GUIDO RENI PAINTING BEATRICE CENCI 
The beautiful parricide is sitting on the bed in her cell, posing for 
the artist, while her jailers stand by. 
Canvas. Signed at the lower left. Height, 40 inches; width, 31 
inches. : 


THOMAS STOTHARD, R.A. 
ENGLISH, 1755-1834 


76 a. SKETCH 
Historical Scene. 
Academy board. Height, 11 inches; width, 10 inches. 


22 


JOHN GADSKY CHAPMAN, N.A. 
AMERICAN, 1805-1889 


b. STUDY FROM AN ETRUSCAN GIRL, ROME, 1852 
Dark-haired, at profile to the right, holding a Pompeian urn. 
Canvas. Signed with monogram. Height, 24 inches; width, 20 
inches. (2) 

(The late Henry C. Sturges Collection) 


_ T. DUPEYRON 
FRENCH, 19TH CENTURY 


77 INTERIOR OF A STUDIO 
Arrangement of still life on a table. 
Canvas. Signed at the lower right. Height, 1944 wmches; width, 
10 inches. 


AUGUST HERRMANN-ALLGAU 


CONTEMPORARY GERMAN 


78 STILL LIFE 
A melon, nuts, a brass platter and a glass of wine against a vase 
containing autumn leaves; in rich brown tones. 


Canvas. Signed at the upper left. Height, 23% imches; width, 28 
inches. 
(Mrs. Louise E. C. Clopton Collection) 


SCHOOL OF RICCI 


ITALIAN, 17TH CENTURY 


79 ALLEGORICAL SUBJECT 
A goddess, cupids and angels grouped on clouds. 
Canvas. Height, 24 inches; width, 26 inches. 


NORTH ITALIAN SCHOOL 


17TH CENTURY 


80 THE TRANSFIGURATION 
A Bishop and a multitude in the foreground, while the heavenly 
hosts and angels are grouped on clouds about the sky. 
Copper. Height, 18 inches; width, 132 inches. 


23 


SI 


82 


83 


84 


DAVID RYCKAERT 
FLEMISH, 1612-1661 


TAVERN SCENE 

Three men grouped about a table smoking and drinking, while a 
fourth stands at the back and a fifth with his back to the fire- 
place at the left. 

Canvas on panel. Height, 26 inches; width, 31 inches. 


JAN HERMANN KOEKKOEK 


DUTCH, 1778-1851 


BEACH SCENE 

Fishermen putting out a boat in the foreground, an old tower 
at the left, sail in the distance. 

Panel. Signed at the lower right. Height, 10 inches; width, 13 
inches. 

(Mrs. Louise E. C. Clopton Collection) 


FLEMISH SCHOOL 


LATE 15TH CENTURY 


CHRIST THE SAVIOUR 

Half-length figure wearing the crown of thorns, a crimson cloak 
clasped by a jewelled brooch at the neck and thrown back over 
the shoulders, holding a staff with his left hand and his right in 
the act of blessing; light cream and yellow background, luminous 
about the head. 

Panel. Height, 19 inches; width, 14 inches. 


EGLON H. VAN DER NEER 
DUTCH, 1643-1703 
PORTRAIT GROUP 


A lady in low-necked blue and old-gold attire is seated, her right — 


hand toying with a peach on the marble table top where a basket 
of fruit is seen, while a gentleman in crimson velvet coat with 
tan-colored drapery and wearing a long flowing grey wig is seated 
at the left, his right elbow resting on a couple of volumes placed 
on the table; sumptuous interior. 

Panel. Signed and dated 1695 at the right. Height, 21% inches; 
width, 1734 inches. 


24 


MANNER OF NATTIER 
19TH CENTURY 


85 PORTRAIT OF THE BARONESS DE CHAULNES 
Half-length, head and shoulders to the front, in low cut, blue 
gown, hand placed at the edge of the corsage decorated with 
flowers, grey hair with pearl ornaments; complementary back- 

a ground. 

Canvas. Height, 26 inches; width, 21% inches. 

(Mrs. Louise E. C. Clopton Collection) 


DUTCH SCHOOL 
17TH CENTURY 


86 PORTRAIT OF A COURTIER 
Bust to the front, wearing a long, curly chestnut wig, lace jabot 
and dark coat; neutral background, with feigned ornamental oval. 
Panel. Height, 19 inches; width, 15% inches. 

a Known as a portrait of Jan De Witt, to whom it was presented as 

ay a wedding gift in 1654, according to the consignor. 


<svugg 


Be (Mrs. Louise E. C. Clopton Collection) 


FERRARESE SCHOOL 
15TH CENTURY 


87 BUST OF TWO PRELATES 
“A mitred dignitary holding his pastoral staff is at the right, and 
a cardinal holding a model of a church at the left; dark back- 
ground. 
Panel. Height, 10 inches; width, 19¥2 inches. 


GIOVANNI DOMENICO TIEPOLO 


VENETIAN, 1727-1804 


88 DECORATIVE DESIGN 

Two goddesses grouped about the capital of a column and two 
cupids hovering about; architectural setting, with sky effect. 
Canvas. Height, 24 inches; width, 26 inches. 


25 


89 


OI 


Q2 


93 


BOLOGNESE SCHOOL 


EARLY 17TH CENTURY 


THE MADONNA OF ST. GEORGE 

The Virgin and Child are enthroned with angels, cupids and 
donors at the sides. 

Canvas. Height, 11% inches; width, 7% inches. 


FERRARESE SCHOOL 


15TH CENTURY 


BUST OF TWO POPES 

The one on the right holds his pastoral staff and a white dove 
alights on his shoulder, while a church is indicated on the side of 
the one at the left; dark background. 

Panel. Height, 9% inches; width, 19 inches. 


ITALIAN SCHOOL 
17TH CENTURY 


PORTRAIT OF A YOUNG WOMAN 

Bust to the front, dark complexioned, quaint bejewelled hair dress, 
low cut pale wine-colored corsage; brown background. 

Canvas. Height, 24 inches; width, 18 inches. 


F. VAN BREE 
DUTCH, 17TH CENTURY 


STILL LIFE 

A lemon of which the peel is half removed and hangs down in 
a spiral form; an orange, grapes and a knife in nice arrangement 
on a table; dark background. 

Panel. Signed and dated 1675 at the lower left. Height, 13% 
inches; width, 10 inches. 

(Mrs. Louise E. C. Clopton Collection) 


NICHOLAS TOUSSAINT CHARLET 


FRENCH, 1792-1845 


NAPOLEON AT MARENGO IN 1800 | : 
Mounted on his white Arabian steed, Napoleon is watching 
through a field glass Kellermann’s charge, which routed the Aus- 
trians under the Archduke Charles; wooded landscape with a 
chateau on an eminence at the right distance, blue and cloudy sky. 
Panel. Height, 13 inches; width, 9% inches. 

(Mrs. Louise E. C. Clopton Collection) 


26 


WILLIAM SHAYER 


ENGLISH, 1788-1879 


94 FISHERMEN ON THE SCOTCH COAST 


a5 


An old salt is seated, his dog beside him and his catch at the left, 
as a pretty fishwoman carrying her basket on her head, her little 
girl at her side, is approaching; groups of fishermen in the dis- 
tance, mountainous landscape with the sea at the right; blue sky 
with creamy cloud effects. 

Canvas. Signed at the lower left centre. Height, 28 inches; 
width, 36 inches. 


JOHN ZOFFANY, R.A. 


ENGLISH, 1733-1810 


PORTRAIT GROUP, MRS. PETER FRIELL AND MISS 
HARRIET BOILEAU 

The former is seated, attired in blue silk gown and white shawl, 
looking up at her sister Miss Boileau, standing, in pale straw- 
berry gown and straw hat, holding a bunch of flowers; landscape 
background. 

Canvas. Height, 30 inches; width, 25 wmches. 


. From the Collection of the Rev. F. Leycester Fisher. 


90 


Described in ‘“Zoffany, His Life and Works,” by Lady Victoria 
Manners and Dr. G. C. Williamson. 


JOHN ZOFFANY, R.A. 
ENGLISH, 1733-1810 


PORTRAIT GROUP, PETER FRIELL AND FRIEND 

The former in brown garb, knee breeches and white stockings, is 
seated examining a lot of prints spread out on a table before him, 
while his friend stands at the back attired in light tan-colored 
costume, his hand on the right shoulder of the first-named. A 
portfolio of prints is seen in the right foreground ; roomy interior, 
with the light streaming in through a green curtained window at 
the left. 

Canvas. Height, 30 inches; width, 25 inches. 

From the Collection of the Rev. F. Leycester Fisher. 

Described in “Zoffany, His Life and Works,” by Lady Victoria 
Manners and Dr. G. C. Williamson. 


27 


97 


98 


99 


I0O 


SCHOOL OF CANALETTO 


ITALIAN, 18TH CENTURY 


VENETIAN SCENE 

The church of Maria della Salute and palaces at the left, and stately 
edifices at the right bank; various craft and gondolas animate the 
broad canal; blue sky with pale pink cloud effects. 

Canvas. Height, 24% inches; width, 3634 inches. 


SCHOOL OF LAWRENCE 


ENGLISH, 19TH CENTURY 


PORTRAIT OF MISS HUDSON 

Half-length, seated, head and shoulders to the pant eyes directed 
toward the spectator, her left arm resting on red upholstered chair, 
attired in white lace gown with pale green fichu; complementary 
background. 

Canvas. Height, 30 inches; width, 25 inches. 


PIETER ROESTRAETEN 
DUTCH, 1627-1700 


STILE LIVE 

A platter with peaches and oranges and a lemon mostly peeled, 
with the skin dropping spirally over the edge; plums at the left 
and a blue ornamented ginger jar at the back, a crimson velvet 
drapery at the right; dark neutral background. 

Panel. Signed and dated (1llegible) at the lower left. Height, 
34% inches; width, 24 inches. | 


ENGLISH SCHOOL 


18TH CENTURY 


PORTRAIT OF A GENTLEMAN 

Three-quarter length, seated, shoulders to the right, eyes directed 
toward the spectator, wearing full wig, grey costume with gilt 
braid and buttons, lace neckerchief, holding a stick; curtain back- 
ground of a deep crimson, sky at the right. 

Canvas. Signed with initials “R. C.” at the right. Height, 49% 
inches; width, 39% inches. 


28 


IOI 


I02 


103 


SCHOOL OF BRESCIA 
16TH CENTURY 


PORTRAIT OF A WARRIOR 

Half-length, to the front, of a bearded man in wide ruffle collar 
and steel and gilt armor; red curtain at the right background 
and glimpse of landscape at the left. 

Canvas. Height, 26 inches; width, 30 inches. 


GIAN BATTISTA TIEPOLO 
VENETIAN, 1693-1770 


COMMUNION OF ST. LUCY 

The saint is kneeling in front of a church as an ecclesiastic in 
white robes passes to her the holy wafer of bread; figures about. 
Canvas. Height, 12 inches; width, 7¥% inches. 


_GERMAN MANNER 
15TH CENTURY 


MADONNA AND SAINTS 

The Virgin kneels at the prieu-dieu at the left while St. John 
stands behind her, a bishop swings the censer and saints stand at 
the back; gilt-tooled background with God the Father and the 
Infant Christ on his knees giving the benediction at the upper left. 
Cradled panel. Height, 40 inches; width, 31 inches. Very hand- 
some frame. 


’ GERMAN MANNER 


15TH CENTURY 


104 ADORATION OF THE MAGI 


The three Kings bringing presents, the one kneeling is about to 
kiss the toe of the infant Christ seated on the Madonna’s knee at 
the left; their retinue at the right, angel above, gold background. 
Cradled panel. Height, 34 inches; width, 31 ches. Very hand- 
some frame. 


29 


105 


100 


107 


108 


SCHOOL OF BRONZINO 


ITALIAN, 16TH CENTURY 


PORTRAIT OF A COURTESAN 

Half-length, to the front, an old-gold garment and a crimson, 
fur-lined mantle thrown back displaying a beautiful nude figure 
to the waist, her chestnut hair in a braid about the head with 
two curls descending to the bosom, wearing pearl ornaments and 
a fine necklace with ruby and pearl pendant; hands crossed, green 
curtains in dark background. 

Panel. Height, 48 inches; width, 36 inches. 


FREDERICK H. MANS 


DUTCH, 1630-1687 


DUTCH SCENE 

Quaint houses and buildings with a tower on the banks of a 
winding river, the latter traversed by numerous ferry boats, while 
the villagers make merry, islands and villages in the distance. Blue 
sky with buff cirro-cumulus clouds. 

Canvas. Signed and dated 1885 at the lower left. Height, 20 
inches; width, 25 inches. 


DAVID TENIERS THE YOUNGER 


FLEMISH, 1610-1690 


THE TAVERN 

Among a setting of trees at the left is a red brick inn in front of 
which several boers are seen, while others in the foreground, one 
of whom is clad in a bright vermilion coat, are making for the 
roadhouse; the usual dog is on the scene, church among groves 
in the distance; pale, blue grey sky with cloud effects animated by 
birds. 

Panel. Signed with monogram at the lower right. Height, 7% 
inches; width, 8% inches. 


PROFESSOR W. LINNIG 
BELGIAN, 1819-1855 


THE PERILS OF NAVIGATION 

In a rough sea near cliffs which rise abruptly at the right, a side- 
wheel steamer is seen; effective slate-colored sky with breaks of 
orange-tinted clouds. 

Panel. Height, 17 inches; width, 24% inches. 


30 


109 


IIo 


II! 


JOHN GREENHILL 
ENGLISH, 1644-1676 


PORTRAIT OF CHARLES II 

Full-length, seated, head and shoulders to the left, eyes directed 
toward the spectator, in long curly dark brown wig, full court 
dress, wearing the Order of the Garter, his right forearm resting 
on the edge of a table at the left whereon the crown is placed. 
es and column background with a glimpse of the sky at the 
eit 

Canvas. Height, 50 inches; width, 48 inches. 

From the Collection of Sir William Bass, Byrkley Lodge, Burton- 
on-Trent. 


VENETIAN SCHOOL 


EARLY 17TH CENTURY 


PORTRAIT OF A LADY 

Half-length, shoulders to the front, head slightly to the left, eyes 
directed toward the spectator, of a flaxen blond type with pearl 
ornaments in the hair, pearl necklace and cross pendant, open 
corsage of rich crimson with puffed sleeves, holding a black ostrich 
plume fan in her right hand; complementary background. 

Panel. Height, 31% mches; width, 26% inches. 


ATTRIBUTED TO DANIEL MYTENS 


FLEMISH, 1572-1660 


PORTRAIT OF ADOLPH HAESS 
Half-length, slightly to the right, eyes directed toward the spec- 


- tator, of a military man in black doublet with a four-tier lace ruff, 


II2 


his hand on the hilt of a sword; complementary dark background 
with a coat of arms, name and age, 71 years, at the right; dated 
1623 at the left. Pedigree of the gentleman in German on the 
back. 

Canvas. Height, 30 inches; width, 25 inches. 


ANGELIKA KAUFFMANN, R.A. 


SWISS, 1741-1807 


POMPEIAN DECORATIONS, THREE IN ONE FRAME 
Charming subjects, a nymph, nude to the waist, a second with a 
mandolin and a third with a goblet and flowing draperies in a sky 
setting, pale green blue at the top and warm cloud effect at the 
bottom. 

Panels. Height of each, 22 inches; width, 1634 inches. Inside 
measurement of frame: ‘H eight, 22 inches; width, 51% inches. 


31 


ANGELIKA KAUFFMANN, R.A. 


SWISS, 1741-1807 


113 POMPEIAN DECORATIONS, THREE IN ONE FRAME 


114 


IIS 


Charming subjects, a nymph mounted on a sea horse, a second 
holding a casket, and a third mounted on a mythological sea lion 
to which she is offering drink from a goblet on a platter; all in 
flowing draperies; sky setting. 

Panels. Size of the left and right: Height, 17 inches; width, 
23 inches. Middle one: Height, 22 inches; width, 16% inches. 
Inside measurement of frame: Height, 22 inches; width, 64 
inches. 


FRANCIS COTES, R.A. 


ENGLISH, 1726-1770 


PORTRAIT OF MRS. BLATCHLEY 

Half-length, standing presentment, at full front, her arms folded, 
attired in lace mob cap, pink gown with lace, wearing heavy 
pearl necklace and ear drops; landscape background. 

Canvas. Height, 33% inches; width, 27Y% inches. 


FLEMISH SCHOOL 
EARLY 16TH CENTURY 


DIPTYCH, PHILIP LE BEAU AND JOAN OF CASTILLE 
Half-length, facing toward the right, on the left wing, attired in 
ornamented beret, jacket with fur collar, slashed upper and crim- 
son lower sleeves, old-gold waistcoat, wearing the toison d’or; 
his right hand resting on an ornate cushion placed on a parapet, 
and the left gloved hand grasping the right glove. 
Half-length, head and shoulder to the left, on the right wing, her 
light chestnut hair parted in the middle, combed toward the sides 
and braided over the ears, ornamented with pearls, red waist with 
gold embroidered sleeves, puffed at the shoulders and wearing 
heavy gold necklace; her left hand resting on an ornate cushion 
placed on a parapet. Green background with a portion of the 
coat of arms of each at the upper right and left corners. 


Panel. Height of each, 1434 inches; width, 834 inches. Left panel 


split. 

Philip le Beau, son of Maximilian I of Germany, married Joan, 
daughter of Ferdinand and Isabella, and was the father of 
Charles V. 


32 


THE FOUR SEASONS 


The following four Numbers, 116-119, “THE FOUR SEA- 
SONS” by Philippe Mercier, 1689-1760, artist of French Hugue- 
not descent, resident in England, were painted under the influence 
of his master Watteau, who painted a similar series several times; 
x see Walter Pater and the “Electric Magazine” of December, 1885. 
‘f Tradition has it that they were brought to this country by the 
a fifth Lord Baltimore and were presented to Samuel Ogle, who 
.. was acting Governor of the colony of Maryland during Lord 
= Baltimore’s absence. 

a These paintings have been in the possession of the Munford family 
a for the past fifty years and prior to that they were on the Ogle 
country estate in Maryland, “Bel Air’, where they had been for 
many years. 


PHILIPPE MERCIER 
FRENCH, 1689-1760 


116 SPRING 
A pretty maiden seated beside steps upon which she has placed 
her potted flowers, while her left arm rests on a basket of aspar- 
agus; foliage at the left, a wall at the right, sky effect. 
Canvas. Height, 49 inches; width, 40 inches. 
(Estate of the late General Thomas T. Munford) 


PHILIPPE MERCIER 


FRENCH, 1689-1760 


117 SUMMER 
Charming presentment of a pretty maiden seated, her shoulder 
posed against an orange plant, holding a cluster of roses, while 
a platter of fruit rests on her knee; a pod of strawberries seen 
at the left and a profusion of flowers at the right; a wall in the 
back, sunset sky. 

Canvas. Height, 49 inches; width, 40 inches. 
(Estate of the late General Thomas T. Munford) 


PHILIPPE MERCIER 
FRENCH, 1689-1760 


118 AUTUMN 
A young man in dark wine-colored costume, knee breeches and 
white stockings, with a sprig of wheat in his hat, is gathering 
grapes, while a basket of peaches is on the ground at the right; 
sky effect, with a distant hill at the left. 
Canvas. Height, 49 inches; width, 40 inches. 
(Estate of the late General Thomas T. Munford) 


33 


11g 


I20 


I21 


I22 


PHILIPPE MERCIER 


FRENCH, 1689-1760 


WINTER 

An old bearded man in fur-lined jacket is seated beside a table 
covered with an Oriental rug whereon are a glass of wine with 
a biscuit, and some nuts in a platter; he looks at the spectator as 
he warms his hands at the open fireplace. 

Canvas. Height, 49 inches; width, 4o inches. 

(Estate of the late General Thomas T. Munford) 


AFTER PAUL POTTER 


DUTCH, 17TH CENTURY 


THE PICK OF THE HERD 

A black and white cow is lying in the foreground; on sloping 
ground farther back a splendid young bull is seen; a pollard 
willow tree at the right gives a nice balance to the composition, 
and a buff-colored cow and a cart and horse are in the distance; 
blue sky with fine rolling grey and creamy clouds. 

Canvas. Height, 26 inches; width, 24 inches. 


DUTCH SCHOOL 


17TH CENTURY 


FARMYARD SCENE 

Several cows, sheep, a goat and a dog are grouped about the fore- 
ground, while a dairymaid is talking to a herder who sits beside 
a large brass milk container ; cow shed at the right middle ground, 
shaded by a fine group of trees; blue sky with warm cloud effects. 
Canvas. Height, 24 inches; width, 35% inches. 


BARENT GAAL 


DUTCH, 1650-1703 


AN ENCOUNTER 

A standard bearer and his followers are being attacked and pistol 
shots are exchanged, a red brick house appears amid the foliage 
at the right, other horsemen are fleeing over a bridge at the left; 
blue sky with grey clouds. 

Panel. Height, 23 inches; width, 32% inches. 


34 


AFTER PAUL POTTER 
DUTCH, 17TH CENTURY 


123 IN THE MEADOW 
Cows grouped about in the foreground and in the green meadow 
at the left distance; low pitched horizon, with a blue sky and pink 
cloud effects. 
. Panel. Height, 18 inches; width, 22 ye 


AFTER PAUL POTTER 
DUTCH, 17TH CENTURY 


mea Lt DYE, 

Several cows grouped about, one of which rubs its side against 
a big tree at the left; a sheep is of the company, and a coach drawn 
by four horses is seen at the right distance, with a glimpse of a 
village near the horizon; heavy grey bank of clouds, with a mass 
of warm effects in a blue sky. 

Canvas. Height, 15% inches; width, 19 inches. 


MANNER OF HOBBEMA 


DUTCH, 18TH CENTURY 


THE OLD WATER MILL 

Fine tree groups at the right, stream at the left where a mill is 
seen close to a cottage, figures about, hill in the distance; blue sky 
with warm cloud effect. 

Canvas. Height, 221%4 inches; width, 32% inches. 


DUTCH SCHOOL 


17TH CENTURY 


a. THE FAMILY GATHERING 

An officer standing in the foreground, his wife seated at the left, 
her child on her knee, a group of soldiers at the back. 

Panel split. Height, 19 inches; width, 1434 inches. 


FLEMISH SCHOOL 


17TH CENTURY 
b. LANDSCAPE WITH VIEW OF A TOWN 
Wooded at the left, with figures and an ancient edifice, and pano- 


ramic view at the right ; grey sky with creamy cloud effect. 
Panel split. Height, 15 inches; width, 19¥% inches. (2) 


35 


MANNER OF HOBBEMA 
DUTCH, 18TH CENTURY 


127 a. LANDSCAPE WITH A WATER MILL 
Panel split. Size, 17 x 20% inches. 


MANNER OF LANCRET 
FRENCH, 18TH CENTURY 


b. AGALANT AND HIS LOVE 
Canvas. Oval painting relined on oblong stretcher. Height, 30% 
inches; width, 24% inches. (2) 


MANNER OF TENIERS 
FLEMISH, 18TH CENTURY 


128 THE GUARD ROOM 
A party of soldiers are playing at dice at the right; armor, 
banners, spears, shields and pistols in nice arrangement at the 
left; other figures at the back and a dog about. 
Canvas. Octagonal painting relined on oblong stretcher. Height, 
22% inches; width, 30 inches. 


SCHOOL OF MICHEL ANGELO CARAVAGGIO 


ITALIAN, 17TH CENTURY 


129 CAPTIVES 
A couple of Knights of Malta are being led as prisoners by two 
Turks. 
Canvas. Height, 43% inches; width, 56 inches. 


DIETRICH 
GERMAN, 1712-1774 


130 “A STITCH IN TIME SAVES NINE” 
A woman in white turban, open black bodice and red gown is 
seated as she prepares to sew a cloth for the little brown-haired 
girl standing at her knee; grapes and a pear are hanging at the 
left. 
Canvas. Height, 51 inches; width, 41 inches. 


36 


‘ADOLPHE GUILLON 
FRENCH, EARLY 19TH CENTURY | 


Pogeg. CLASSICAL LANDSCAPE 
Huge cedars raise their crowns from level foreground, where goat 
herders are seen with their flocks; lake at the left distance with 
mountains at the horizon; pale emerald and creamy sky. 
ees Signed at the lower left. Height, 20 inches; width, 31 
inches. 


ITALIAN 
16TH CENTURY 
b. MADONNA AND CHILD WITH SAINTS AND AN 


ANGEL 
Panel. Height, 21 inches; width, 17% inches. (2) 


FLEMISH SCHOOL 


17TH CENTURY 


Boge LIEK 
A boiled lobster with lemons on a platter, while a variety of fruit, 
oysters and an urn are nicely composed on a table; a squirrel at 
the left is helping itself to nuts, and a bird is on the wing at the 
upper left; dark background. 
Canvas. Height, 3234 inches; width, 65 inches. 


SCHOOL OF JACOB DE WIT 
DUTCH, 17TH CENTURY 


fetes PAIR OF BAS RELIEFS IN GRISAILLE 

eee | A number of cupids blowing bubbles. 

Cupids making a fire with faggots and playing with a mask. 
Canvas. Height of each, 35 inches; width, 49% wches. . (2) 


FRENCH SCHOOL 
18TH CENTURY 


134 PAIR OF DECORATIVE PANELS, MUSIC AND ART 

4 Three cupids performing on instruments in a cloud setting. 
Two cupids drawing and painting from casts in a cloud setting. 
Panels. Height of each, 24 inches; width, 12% inches. (2) 


37 


FRENCH SCHOOL 


EARLY 18TH CENTURY 


135 DECORATION a woe: 
Four cupids amid a garland of flowers with a ala backgro 
Canvas. Height, 39 inches; width, 50 inches. 


SCHOOL OF PANNINI 


ITALIAN, 18TH CENTURY 


136 RUINS ie 
Nice arrangement of old Roman remains with a glimpse eE: 
Colosseum through arches at the middle distance; Seutes 
foreground; blue sky with fleeting clouds. 4 
Canvas. Height, 26% inches; width, 46% inches. 


FLORENTINE SCHOOL. 


EARLY 17TH CENTURY 


137 PAIR OF CASSONI PANELS | F 
Tritons, mermaids, nereids and nymphs disporting themselves 
the sea. (Sold as is) v 
Height of each, 14% imches; width, 63 inches. (2) 


MANNER OF PARMIGIANINO 
ITALIAN, 16TH CEN ee . 


138 VENUS AND CUPID . Wess 
The goddess reclines on some drapery as the little ves mess 
his arrow and a mask placed at the left, aREroncrene to whispe: 
her ear; landscape background. 

Panel. H eight, 40 inches; width, 57 inches. 


ITALIAN 


17TH CENTURY 


139 SLILI LIFE ‘* 
Musical instruments, a vase of flowers and a alattey yf 
a table with a decorated red cloth; dark aera id; 
column at the right. : 
Canvas. Height, 38 inches; width, 45 inches. 


38 


ITALIAN 
17TH CENTURY 


140 PAIR OF DECORATIVE FLOWER PIECES 
b Canvas. Size of each, 29 x 24% inches. Unframed. (2) 


ITALIAN 


17TH CENTURY 


141 PAIR OF FLOWER PIECES 
s Canvas. Size of each, 29 x 24% inches. Unframed. (2) 


LIBRARY 


PAUL GETTY 


CENTER 


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